Irving Berlin (1888–1989): |
Generally recognized as the most productive, varied, and creative of the Tin Pan Alley songwriters. His professional songwriting career started before World War I and continued into the 1960s. His most famous songs include “Alexander’s Ragtime Band,” “Blue Skies,” “Cheek to Cheek,” “There’s No Business Like Show Business,” “White Christmas,” and “God Bless America.” |
Richard Rodgers (1902–79): |
Produced many of the finest songs of the twentieth century, in collaboration with lyricists Lorenz Hart and Oscar Hammerstein II. Wrote the ground-breaking musical Oklahoma! in partnership with Oscar Hammerstein II in 1943. |
Cole Porter (1891–1964): |
Born into a wealthy family in Indiana; studied classical music at Yale, Harvard, and the Schola Cantorum in Paris. |
George Gershwin (1898–1937): |
The son of an immigrant leatherworker, did much to bridge the gulf between art music and popular music. Studied European classical music but also spent a great deal of time listening to jazz musicians in New York City. Wrote Porgy and Bess (1935), which he called an “American folk opera.” |
Bing Crosby (1904–77): |
A crooner, by far the most popular representative of the style. Sales of his records have been estimated at more than 300 million. |
Ethel Merman (Zimmerman) (1909–84): |
At the age of twenty-one, introduced “I Got Rhythm” in the stage show Girl Crazy written by George Gershwin. |
Al Jolson (1886–1950): |
Billed himself as “The World’s Greatest Entertainer.” The most popular performer of his generation; his career overlapped the era of vaudeville stage performance and the rise of new media in the 1920s. |
